So Kraftwerk are back. Well, reformed for a series of showcase concerts at the Tate Modern. I haven't been given a ticket but they were once the subject of an important illustration I made many years ago - well, more important for me than them probably - my first full colour front cover. I would be disingenuous to say I don't keep my old work - much of it still lays a-moldering and gently foxing in a suitcase and various old portfolios in the loft - but I have a healthy disinclination to look at much of it. So it was a surprise when Detective Inspector DJ Food contacted me to say he'd found an old Record Mirror cover and thought it might be one of mine. Old pieces of work always prompt a mix of feelings - pleasure at seeing something long forgotten, but often tempered with slight embarrassment at noticing all the flaws and seeing how you would have done it so differently. But you can't re-write history, so here it is... http://www.djfood.org/djfood/kraftweek-5-by-andy-dog
Saturday, 19 January 2013
You may (or may not) be aware that my Father has recently published a book of reminiscences about his early days as a publican in the London in the 1960’s. ( http://www.amazon.co.uk/Tales-Two-Puddings-Stratford-Londons/dp/0957209002 ):
|"I am a DJ...' : Dad and Mum (on right) in 'the Devil's Kitchen'.|
It’s an interesting and amusing nostalgic romp through a period that will never be seen again. It’s not so much about us as a family as about the various customers and characters that came and went in an otherwise poor and unprepossessing part of London that until this summer’s Olympic Festival, most people only knew as somewhere they drove through on their way to a destination a bit grander (Chigwell perhaps).
The book is set in a time when I was just a small boy but it has dislodged many memories that have floated to the surface. The pub used to have bands playing on a regular basis. Some reasonably well known, many others were ‘cover’ groups who would do versions of current hits. If they were playing on consecutive nights they would leave their gear set up and I would love to tip-toe down in the afternoons, turn the switches on and the volume low (-ish) and strum my fingers across the guitar strings. These glossy brightly lacquered intruments seemed to possess their own built in glamour ("Sunburst Finish" anyone?).
|If my description of "play, eat and bed" sounds somewhat austere and monastic then really it was great fun and a regime I still swear by (just add 'drink' after eat) - I couldn't wait to get home from school each afternoon...|
One day I came home from school and as I was trudging up the three flights of stairs to our living quarters dragging my duffel bag behind me I became aware of loud music coming from the first floor dancehall (known as 'the Devil's Kitchen' on account of the lurid fluorescent paintings of monsters all over the walls). “Go and have a look, but don’t disturb them” said my Mum. I opened the door carefully and saw a group of small young men in the hall surrounded by their large PA system. The evident leader calling the shots was wearing a cheesecloth shirt and a battered broad-brimmed straw hat. He was Steve Marriott and they were the Small Faces. To be honest, I’d never heard of them and I don’t think most of the world outside Manor Park had at that point. I watched discreetly for a few minutes but I’ve always found band rehearsals and recording a bit of a tedious procedure to sit through. Continual starts and stops going over the same piece endlessly. For some reason I really missed a trick here and neglected to do a sketch; the 1966 view of the pub exterior above is the best I can find.
Later on The Faces and The Who became huge global names. But until Paul Weller and the nostalgia of Britpop came along The Small Faces remained something of a Mod connoisseurs band. Steve (Stevie) Marriott ended up marrying a schoolfriend of mine and seemed to be enjoying a few years of domestic bliss before tragically dying in a fire at his cottage in North Essex.